Dave Today
Dave Getz
With Janis Joplin
Dave Getz
Where To?
Corte Madera
Fairfax
Greenbrae
Kentfield
Larkspur
Marin City
Mill Valley
Novato
Ross
San Anselmo
San Rafael
Sausalito
Tiburon
West Marin
Artist and Musician Dave
Getz of Big Brother and the
Holding Company and
Country Joe and the Fish says he’s “been in
and out of Marin since the early ‘60s”. In 1966
he moved into a unique living situation -- an old
hunting lodge in Lagunitas called "Argentina" that
he shared with Janis Joplin, their entire rock
band, and a cavalcade of accompanying pets,
children, and spouses. He thinks they all may
have shared only one bathroom.
Why the name "Argentina"? Getz remembers:
“At the end of a dirt road next to the house was
this big propane tank (on which) someone had
written ‘God is alive and well’ and then someone
else had written underneath it ‘In Argentina’.”
While Getz believes “Argentina” was a fantastic
experience overall, “There were certain things
about it that was not good living together,” he
says, “Different people had different lifestyle
things.” The band moved back to San Francisco
into separate homes after about 6 months.
In 1969 Getz moved back to Fairfax and bought
his own home. He shares some of his Marin memories from that period in
my interview with him below:
JASON: Do you remember any restaurants you used to like to go to during
the Sixties and Seventies?
GETZ: A friend of mine started a restaurant in the early '70s that's on the
other side of Sir Francis Drake where Drake's Video used to be. It was
called HERB AND JOE’S. It was a wonderful place...It was sort of like what
Bubba's is now. They were trying to start something with homestyle food,
not expensive, but really good, big portions. There was also a period in
Fairfax during the early '70s where a lot of people tried to do music things.
There was a place called THE SLEEPING LADY CAFE that went on for
awhile. I think I might of played there once. There was a place called
RIVER CITY that I might have played in. I played a lot in the early '70s at a
place where I think where Matucci's is now. I remember there was another
club in San Anselmo where Orchid Thai and where Bubba's is now.
When I bought my house in Fairfax I became very close friends with all the
people from The Sons of Champlin...We used to smoke dope all day long
and go downstairs in my house and play. That was Terry Haggerty, Dave
Schallock, Geoff Palmer. Everybody pretty much from that band except
Bill Champlin. He was sort of trying to do something on his own. So we
formed this band called The Nuboogaloo Express. We played THE LION'S
SHARE a lot of times and we might have played at THE FAIRFAX
PAVILLION. I played in a band in West Marin with a band called Banana
and the Bunch. Half of that band was The Youngbloods. They also
played at The Lion's Share and THE DANCE PALACE out in Inverness.
JASON: How has Marin changed since the Sixties?
DAVE: Some things have really changed drastically -- like San Rafael and
Novato. They’re really different than what they were in the Sixties. In San
Rafael -- the idea of finding a good cup of coffee, like a cup of cappuccino or
something, was unheard of. San Rafael was really this working class type
town, not a hip place...And Novato was basically just a crossroads where
Grant Avenue met Redwood Avenue, just those two streets and a bunch of
houses in the hills, but there was nothing up there.
Mill Valley has really changed a lot although it still looks the same. It was
similar in some ways to Fairfax. They weren't that much different in terms of
lifestyle and upward mobility and things like that. Then Mill Valley kind of
became this boutique town and expensive and Fairfax has basically retained
the same character it had in the Sixties.
When I moved to Fairfax in 1969 the MARIN TOWN AND COUNTRY CLUB
had been closed for maybe 2 or 3 years and there was a big dispute about a
developer wanted to build something there. People didn't want something
developed there. Then I moved away in '74...and when I moved back to
Fairfax in 1987 there was a newspaper article talking about developing the
Marin Town and Country Club and the people of Fairfax didn't want to do it.
It was like a time warp -- NOTHING had changed. I said to my wife as we
were driving around Fairfax then, "It's like the same people in different
bodies."
Fairfax has that 'unchangeable' quality which is kind of wonderful and also
kind of awful in a way because it's very hard to keep a business base in
Fairfax because nothing but hippie stores can make it. At the same time,
the town needs money for fixing roads and things like that and there's no tax
base so it's a problem. But Fairfax is nice and I like living there.
JASON: Sam Andrew told me a wild story about Janis getting into a fight
with a Hell's Angel in San Rafael...
DAVE: Yeah, there was this place called PEPPERLAND. Well, it was
where The Bermuda Palms is today. Some promoters got together and ran
some events there for about a year. When Janis first formed her last band
(Full Tilt Boogie Band)...we played with them. At that time Nick
Gravenites was our lead singer. We performed and opened the show and
actually blew them (Janis' band) away. She was backstage drinking and
some Hell's Angel -- actually, it wasn't a Hell's Angel -- it was a Gypsy
Joker, which was sort of a rival motorcycle gang. The whole event was a
motorcycle/biker type event. But bikers in those days were really like gangs.
They were very different than 'The Biking Thing' now. The Biking Thing now
is a lot of middle class people -- lawyers, doctors -- who put on their leather
clothes and go ride their $25,000 Harleys and go to the rallies. But in those
days all the bikers were really like gangs, ex-cons, and stuff like that. Tough
guys, real hard-ass guys, and a lot of fighting. We played at a lot of Biker
Events. We were kind of the favorite band of the Hell's Angels so Janis was
walking with some Hell's Angels. She was drinking a bottle of Jim Beam and
somebody from Gypsy Jokers said, "Hey baby, give me some of that". She
said something back like "F--- you, man" to the guy and he went to hit her. I
think he did hit her, slapped her in the face and six Hell's Angels jumped on
the guy and beat the s--- out of him. When she got on stage she had a black
eye and she was talking about it for about a half an hour on stage.
It was also at that same event some girl jumped up on stage and took all her
clothes off and started dancing around naked. And there was a guy in the
audience who jumped up on stage and took his clothes off while we were
playing on stage. And these Hells Angels were all pounding the stage saying
"Come on, get it on!" They all wanted to see him do it to her. The guy was
sort of trying to (start a sexual act with her) while she was dancing around. it
was kind of crazy. Nothing really happened.
JASON: Was that kind of thing typical or atypical for the time?
DAVE: It was atypical. It was only an event like this, a Hell's Angels type
of event that something like that could happen. If it had happened at the
Fillmore or something like that the security would have thrown this guy off
the stage immediately. Or thrown her off the stage. But people just let it
go....
JASON: When you see movies about the Sixties or read things about the
Sixties, what do you think are the biggest misconceptions about that time as
far as Marin is concerned?
DAVE: The biggest misconception is that they'll show you this sort of 'flower
child' look in the way they dress in a movie. They'll have people with a
headband and sunglasses... but it's sort of an "LA/Hollywood" hippie look.
That definitely was not going on in Marin. Marin kinda looked like it looks
like now. You see guys with long hair and beards and funky and grungy. It
was a much more earthy/rustic kind of scene. People weren't putting on
what Time magazine thought a hippie should look like. But that's because
movies get mostly made by people in Hollywood. If the audience today saw
the real thing (from back then) it probably wouldn't 'read' as well and they
wouldn't understand it. Marin had its own style. It was always more natural.
You can visit Dave's official website by clicking HERE.
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Jason Lewis
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are interested in
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please contact
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algia.org prior to
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COPYRIGHT
All of the material
on this website is
copyrighted by
Jason Lewis
unless otherwise
stated. Those
images not owned
by Jason Lewis
are copyrighted
by their
respective
owners. If you
are interested in
using material
from these pages,
please contact
Jason Lewis at
jason@marinnost
algia.org prior to
doing so.